Men'S Wear Begins To Be Feminine.

< p > < a href= "http://www.91se91.com/" target= "_blank" > dress < /a > in itself, there is no rigid regulation for women or men's clothing.

< p > there is news that the biggest pollution that the earth is facing now is not the greenhouse effect, the ozone hole, the non degradable chemical products, but the environment "female pollution". Its harm will directly lead to the extinction of human race after several years.

I wonder if it is for this reason that anthropologist Helen Fisher predicts that women will be the first in twenty-first Century.

Women's role and status in society change from needless to say, even men begin to lean towards < a href= "http://www.91se91.com/" > feminine < /a > development, of course, including clothing.

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< p > another anthropologist Marcel Moss said: "the body is molded by culture."

The meaning of this sentence is interpreted directly by the fashion, < a href= "http://www.91se91.com/" target= "_blank", "designer /a", to be used by the body for culture.

So in twenty-first Century, the male color became the female consumption habit. Under the help of the fashion industry, men's attire began to become "Niang" with the change of culture, and even strongly affected the hidden rules of clothing segregation between men and women since the industrial revolution.

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< p > for clothing itself, there is no strict boundary between women and men's clothing or either of them.

Fashions designed under deep-rooted values, men's clothing tends to focus on functionality to facilitate men's actions and work, highlighting social identities and status, while women's wear is dominated by beauty and emphasizes female sexuality such as chest, waist and hips.

For a long time, the latent rules of modern fashion have slowly developed into an unbreakable law.

So when you see a certain a href= "http://www.91se91.com/" target= "_blank" > clothing < /a >, it is easy to judge the gender of the dress only by the design of color, material and details.

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< p > and from the development of modern a href= "http://www.91se91.com/news/index_q.asp" > dress history < /a >, the first thing is the masculinity of women's clothing, followed by the design elements of men's clothing, such as back dress, vest, Bikini Bra is imitating men's bare upper body; mini skirt and small hot pants are imitation of rugby players' sports pants.

From this point of view, the clothing revolution first came from men's clothing, followed by changes in women's clothing.

Therefore, some scholars call the fashion of modern men's clothing feminization as the fashion progress that draws close to another woman's menswear.

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< p > this "progress" is just like other social phenomena. There is an exclusive word to refer to the peacock. As a key word describing the feminization tendency of men's clothing, it was declared as early as the end of the 50s.

The avant-garde designer put the long hair male model on a low waist jeans with a prominent buttock line and a brightly colored printed jacket to express treason.

This dress was later called ModsLook, the first attempt at feminization of men's clothing in fashion history.

By 1967, there was a very famous "peacock revolution" in fashion history. Men's clothing was no longer confined to traditional colors such as black, white, grey and dark blue, and began to turn to a large number of bright feminine colors.

Jean Paul Gaultier is one of the prominent representatives. Skirts, fluoroscopy and feathers are used to decorate men.

In fact, his inspiration comes from the fashion style of hippies who use the flowers as their decorations to beat the psychedelic hand drawn patterns and embroidery batiks in Turkey robes, trumpet trousers and washed out old jeans.

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< p > it has been explained that in the agricultural society, the expansion of male clothing and the masculinity of possessive desire, and the fragility and gentleness in the commercial society and even the pure male style make women feel more secure.

So Vivienne Westwood said: "fashion is between the male and feminine poles, the idea is to wear or not to wear; the ultimate goal of fashion is to be naked and take off is weapons."

Now it will be very deep.

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< p > and the designer's pants in 1960s not only made her become the mother of punk rock and roll of emancipation and ideological release, but also brought men's clothing to expose and decorate: tearing or dug coat, zipper, metal chain, asymmetrical T-shirt, cut and worn burrs < a href= "http://www.91se91.com/" target= "_blank" > cloth < /a >, underwear outside, tights under the jacket, girdle trousers, Gothic makeup...

For this fashion designer who understands sex and clothing so deeply, there is nothing that she dare not think of.

So, in 70s, the Glam Rock rock singer represented by David Bowie turned the feminine trend of men's clothing into seductive, chiffon, lace and leather trousers.

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< p > next, with the deepening of Yap, men's clothing gradually began to frowned on. From the 1974 Giorgio Armani's first soft shoulder male dress show, it was crowned with the word "elegance".

Later on, Versace's tight fitting, decorative, neutral men's clothing; and then in 80s, designer Jean Paul Gaultier pushed men into their skirts; in 90s, the obvious homosexual feminization design of D&G, and the popularity of male T pants and "Meggings", men's clothing deepening "Niang Qi" in the ambiguous gender boundaries, challenging the public's understanding of the nature of men's clothing, and further explained that men's clothing was affected by environmental pollution by women more and more seriously.

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< p > Hedi Slimane, the designer of the controversy over "men's clothing or men," is the culprit of the new generation of designer men's women. He didn't use too many feminine elements when he was Dior Homme, but he simply handed down the "narrow" tactic. Now, on many T stands, it seems that the lean men who are malnourished tend to walk with their legs like ballet dancers.

Although the male models appearing on the T stage now show that they are not mainstream in terms of appearance and figure, but the Feminization Trend of men's clothing is more obvious.

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< p > Jean Paul Gaultier introduced the men's clothing that appeared almost naked in the back, so that the male models could be worn or fitted with suits. Raf Simons in the 2014 spring and summer men's wear show no more taboo to directly put men's models on their girlfriends T-shirt skirts. J. W. Anderson, after last year's design with lotus leaf shorts and shoulder blouses and blouses, and so on, this year, in the 2014 spring and summer men's wear series, there were several women's wear designs for the shoulder length high necked chiffon blouse. Astrid Andersen also came to the design of men's complete white lace tight dress.

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< p > of course, this extremely feminine design of men's clothing is only a small number in the world. The products of more fashion designers and brands are not surprising and subversive. But the design of girlfriends Style Men's wear is very dazzling in the market. Bright, highly saturated colors, lace lace, large embroidered clothes on the body, and a pparent coat for men's body curves all make men's clothes appear neutral and feminine beyond masculinity.

Even in almost identical men's formal dress and casual wear areas, negative designs are integrated without exception.

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< p > "the demand in the world will not change. It can only change the quality of products and the services you can provide, which determine the price."

Such a demand assertion, does it mean that the men's clothing that was armed by women in twenty-first Century is the women who decide to fashion a href= "http://www.91se91.com/news/index_s.asp" > consumption change < /a > but men in clothes have nothing to do with those clothes?